These moving pieces begin with details from watercolours I painted during the Covid years (2020–2022).
I feed those fragments into Adobe Firefly, using poetic prompts to open them up into short video sequences. What emerges is neither entirely mine nor entirely the machine’s.
Intent
I am interested in whether the original painting can survive this translation — whether its atmosphere, strangeness, and touch can remain present within an AI-generated moving image.
Musings in and around my apartment in Saint Nazaire this month
Réflexions autour de mon appartement à Saint-Nazaire — ce mois-ci
Aquarelles en plein air